7 Tips To Writing High-Speed

 

I once thought I was a fast writer. That is until I met Jen Hayley and Shana Silver and about half a dozen other authors who put my daily wordcount to shame. Maybe I actually was a faster writer at one point. I think that’s a distinct possibility. Actually, I’ve been contemplating this some and I believe that once I learned how much faster some of these other authors churned out words I started to think of myself as a slow writer. Maybe it was self-actualization or a self-fulfilling prophesy–whatever self-help books are calling it these days–but I think my writing speed did, in fact, slow down. And by that I mean it straight up congealed.

Now, I know a lot of really awesome “slow” authors, too. There are a lot of positive adjectives that you could place on writers who produce at a more…ummm…measured pace. Meticulous. Painstaking. Careful. Fussy? And I have no doubt that many of these apply. I mean, I’ve seen some of these people’s prose and it is..well…meticulous and carefully wrought. So yeah, often I’m tempted to follow in the Orson Scott Card train of thought: slow down, get it right in the first draft.

But, with writing slowly comes the sometimes all-too-frequent desire to bash one’s head through a wall–or a desk– whichever is more convenient. Slow doesn’t feel like progress. Slow is not knowing where I’m going or not being happy with what’s on the page. Slow is often more procrastinating, less writing. More concern over the final product than focus on the present scene at hand. So what I’m trying to say is that there is certainly a place for fast.

Especially when deadlines start to roll around and real life demands a greater portion of your time than writing life. Slow just sometimes isn’t a great option for writers who hope to actually make a living. That’s what I’ve been working on. Figuring out some ways to produce more and write more efficiently with my time. Here is a very incomplete list of methods I’ve been toying around with:

1. Writing without word count. Lately I’ve been writing a bit in google docs where it doesn’t automatically count the words on the bottom of the screen. I can get really hung up on word count and it can take me out of the story, thus making me less productive. It’s been kind of freeing. You can still check your word count through the tools, but you aren’t watching the words tick up or down. Sort of nice.

2. Talking through it. It might be just me, but I find dialogue both easy and fun to write. Especially with my MC who is a pistol. So, for me that’s been an easy way to get a scene going. I write the entire scene in dialogue. I’ll do this through a few scenes. I get a lot done this way, but the real benefit is that in my next writing session I’ll fill in those scenes. So, I’m not stalling at the beginning of my writing session. I’ve had some time to let my sub-conscious mull over the action that should accompany. I’ve already pictured the whole thing once in my head and I have the dialogue as underpinnings. Add the actions, the scene setting, the reactions, the inner monologue and voila–words!

3. Writing out of order. I have mixed feelings about this one because I’ve gotten really mixed up by doing this in the past. But there are times when I feel it’s a pretty good idea. I mean why sit there and stare at a blank screen when you could get a chapter done in which you know what happens. Also, the sheer act of writing can often unclog your brain enough to get the ideas freely flowing once again. Plus, always good practice. I don’t know; jury is still out on this.

4. Outline. Although it pains me to say it I would guess that authors that outline *generally* get through drafts more quickly than authors that don’t. Of couse, there is some tradeoff given the fact that it took time to outline, but still. I absolutely do not have this one down, but whe I’m stuck or don’t feel like writing, I realize it is probably a good use of my “writing time” to jot down a few thoughts for next writing session. This sometimes kills my soul.

5. Write or Die. I know a bunch of fellow writers that love this program. You basically tell the website how many words you want to write in how long. Then you say how long it’s okay for you to “rest.” The program proceeds to yell at you if you fail. This stresses me out and given my stomach is already eating itself from the inside out I typically pass. But whatever works for you.

6. I do however try to use WriteChain some. It’s an iPhone app of the more mellow variety. You have to write a certain amount of words a day. You put it into your log. You say how many days you can skip (usually zero) without breaking the chain, then it will keep track of how many links you have. Very good if you are trying to Stephen-King-it. Simple, but I like it.

7. Write words that are bad. Maybe even really, really bad. It’s amazing the magic that can happen between first writing and a later reading. But even if, for some reason, your words don’t magically sound better the second time around, at least you have something on the page. At least you made progress and you can fix it. I promise.

Okay, so what about y’all? Any idea on how to write faster?

When I Grow Up…

 

I was thinking about what I’d like my writing career to look like. Or,  more specifically whose writing career I would like mine to resemble.  Here’s what I came up with:

 

Stephen King for his prolifity, his need to write, and they way, even though writing is his job, he’s found comfort and therapy in the process.

J.K. Rowling for her ability to improve her craft and storytelling with each of her books and her incredible knack for worldbuilding.

Melissa Marr for her gift of describing for all the senses and for her love of the creative process.

Carrie Ryan for her tenacity in pursuing and succeeding at a career in writing in the midst of braving law school and being a lawyer–very near and dear to my heart!

Jennifer Lynn Barnes for maintaining what appears to be a remarkably balanced life (pursuing a PhD, keeping up with friends, reading a zillion books a minute, and watching hours of TV–how does she do it?) and for working to recover the joy of writing.

Neil Gaiman for writing awesome comics and equally awesome novels and for his ability to expand his writing into virtually all possible mediums.

Laurie Halse Anderson for being able to write successfully two very different genres.

There are so many other fabulous authors out there who have influenced me and encouraged me and whose careers I would love to emulate. Thank you to all the awesome authors who pave the way ahead of us!

 

Status: Writing. Writing. Writing. American Idol. Lost. Real life work. Writing.

A Few Of My Favorite Things

 

Ok, so lately I’ve been feeling like if I were going to post, then I needed to do a big, long thoughtful post about life, liberty, and the pursuit of happiness or something equally deserving. But yanno what? That’s just not how my life is working right now. I’m working full throttle on writing and full throttle on law school and now I can’t even remember why I’m not just posting about what I’m doing in my writing life RIGHT NOW. Because I’m happy to say–I’ve got a lot going on in that end.

So, starting now, I’m going to ditch the pretenses and just say that I’ll be posting *hopefully* daily about what it’s like getting a proposal ready and doing agent revisions as well as anything else I think of during this crazy journey through the submission process. Cool? Cool.

So, today I actually wanted to share one of my favorite things. (Rather than a few as the post is deceptively titled):

I feel like I’m a bit of anomoly because I usually write with the TV on. (Does anyone else do this?) I hear this is really bad. Mainly from Stephen King who said it was, well, really bad. But I do it anyway because I think it takes some of the pressure off. If I get stuck, then I’m not freaking out staring at a blinking cursor. I just watch TV for a second. It’s also not just me, myself, and I listening to crickets chirping in my inbox.

Anyway, one of my favorite moments is when I’m looking forward to a certain show coming up–usually Friends or That 70s Show–and I get so wrapped up in the scene I’m writing that I have to turn the volume all the way down even though I know that I’m going to miss the show I’ve been waiting for. That happened today and it’s been happening quite a bit on my WIP which I feel shows that my whole re-capturing the joy of writing kick is really working!

What do you love most when writing?

 

Status: Chelsea Lately. Devotion. Bed. Still have Con Law II to read in the morning. Heard from my agent today. Share more tomorrow. Added about 1,000 words to a chapter I thought was perfect.

Musings for Writers in the Midst

With every book I try to grow as a writer and, with each book, there seems to be more and more to think about. Today I’m sharing the thoughts that I’m trying to keep in mind as I work on my current WIP. They’re quotes from others, so I apologize in advance for not knowing where they all come from. It’s been awhile since I collected some of these.

There is one piece of advice that I am trying to keep in mind above all else. It’s from Stephen King’s On Writing. I have no specific quote to share, but it’s the overarching theme of his book: Write every day.

If your writing doesn’t shock or embarrass you at some point, you’re not being honest enough.

                                                                  Conflict on every page! 

It’s like driving a car at night. You never see further than your headlights, but you can make the whole trip that way. – E.L. Doctorow

                                                                 Cut a good story anywhere, and it will bleed.– Anton Chekhov

            Don’t fall in love with your words or it becomes too hard to change them.

 

You can fix a bad page, but you can’t fix a blank one!

                                                                                                                                          Write. Right. Now.

I believe the first draft of a book — even a long one — should take no more than three months…Any longer and — for me, at least — the story begins to take on an odd foreign feel—Stephen King

 

 

Tomorrow I’ll be posting about ”How Nano Hurt Me”

Status: I had a great day of writing yesterday. Didn’t want to stop, but had to do go see Four Christmases with Nate. I’m doing well with the writing every day thing. It seems obvious but I can already tell it’s made a big difference in my writing. I’m more in the story. It’s easier to get going each day. The voice is more consistent. All good stuff.

 

 

 

 

A Clerical Error

Here, thought y’all might want to check out the World’s 10 Best Paid Authors over at the Forbes website.

I am shocked and appalled that I was not included. There must been some glitch in the numbers. I’ll be making calls today to attempt to remedy the situation.

I expect to come in somewhere around #4………………….

 

……………35789 billionth……………….

Did y’all just miss the cut as well? Bummer.

 

Status: Big news! I finally was approved for FULL MEMBER STATUS over at the Verla Kay Blueboards. I know, I know. The good news just keeps on coming for me. But with a little luck, hard work and a strict regimine of one post a day, you too can become a full member.

2009 Debs Interview Series: Neesha Meminger

          

               Samar–a.k.a. Sam–is an Indian-American teenager whose mom has kept her away from her old-fashioned family.  It’s never bothered Sam, who is busy with school, friends, and a demanding boyfriend.  But things change after 9/11.  A guy in a turban shows up at Sam’s house–and turns out to be her uncle.  He wants to reconcile the family and teach Sam about her Sikh heritage.  Sam is eager, but when boys attack her uncle, chanting “Go back home, Osama!,” Sam realizes she could be in danger–and also dscovers how dangerous ignorance is.
 

Neesha Meminger was born in India, grew up in Canada, and currently lives in New York City with her family.  Her second novel, JAZZ IN LOVE, is completed and she is hard at work on her third. I’m so glad to haver her here on Fumbling with Fiction and I think you’ll love the great insight she has to share.
 
Thanks, Neesha!
 

Shine, Coconut Moon is your debut novel, so a big congrats on that. But can you give us a little statistical rundown on how long it took you to get to this point? How many books? How many rejections? How many days, months, or years?
 
Thank you!  I always find this question a toughie because I started out writing for Older Adults (as opposed to “Young” Adults ;]).  I queried widely and met with a dismal number of rejections.  I have no idea how many and I wouldn’t even venture to guess.
 
But, I went back to the drawing board and wrote a collection of short Middle Grade stories — for the eight to twelve-year-old set.  I loved those stories and spent much time on them, revising, chiseling, polishing.  I caught the interest of an agent with that manuscript.  That agent then looked at my previous, Adult manuscript and asked if the protagonist of that work was a teen (which she was!), and would I be interested in doing YA.  At that point, I didn’t even know this was an option.  I thought you wrote what you wrote and it was whatever it ended up being.  I didn’t realize there was a whole *category* for what I was writing.
 
I didn’t end up going with that agent in the end, but I would say she really set me on the YA path.  Through her, I realized that those YA years are where my heart is and where so much of my truth lies.  It’s where my creativity is still untethered and wild.
 
If I were to put a time frame on the whole thing, from when I first set out to write a novel to sale would be close to thirteen years.  Yikes!  But keep in mind that I also took time off to have two kids in there, and to grope through some tough segments of life ;)
 
I’m glad you did switch to YA and, of course, *I* think YA is the best!

Did you draw on your own experiences with Indian culture to write Shine?
 
Absolutely.  Samar (Sam), the main character of SHINE, comes from a Sikh family, as do I.  Her mother is tattooed, as am I *grin*, and she (the mother) has a brother she’s very close to, as do I. 
 
But many of the similarities end there.  The experiences Sam, her mother, and the other characters go through are uniquely theirs.  Especially within a cultural context.

What a great perspective to share. Which “Call” thrilled you more? The call in which you landed an agent or the call in which you landed your book deal? Can you describe to us what it felt like?
 
Oh, they both thrilled me in different ways!  The agent call was like finally finding a floating piece of driftwood to cling to after treading water forever.  It was kind of like, “Finally!  Someone (other than my parents and brothers) thinks this is good!”
 
The editor call was another kind of relief — as well as a thrill.  It was like, “Oh, phew!  My agent won’t dump me!” followed by, “OMG, I’m going to be an author.”  It was very validating and nerve-wracking at the same time.

Throughout your journey as a writer, what resources have you found most valuable to your success? Websites? Books? Conferences?
 
I would say books and online resources have been the biggest help.  My favorite books are BIRD BY BIRD by Anne Lemott; REMEMBERED RAPTURE: THE WRITER AT WORK by Bell Hooks; and ON WRITING by Stephen King.  But other books on the craft and process have been helpful along the way as well.
 
Online resources like Verla Kay’s Blue Boards (www.verlakay.com) were an invaluable resource throughout the querying and researching process.  Meeting and networking with other authors is one of the most important things an aspiring writer can do, IMO.  And it’s just plain fun, too :) .

I LOVE On Writing as well as The Blue Boards. I’ll have to check the other ones out. We all know that writers go through hard times on their way to success. How have you handled rejection in the past?

I got a lot of TLC from my writer friends and critique buddies.  I lamented over my utter lack of talent and complete failure as a writer with my spouse — whose job (I told him at the onset) was to pat my back and there-there me back to emotional health and wellness.  I chatted with my kids whose job is to love me unconditionally.  And my mom, who has a different version of that same job.  And my brothers, who are my biggest fans.
Then I got off my pity-horse and went back to work.

This is Fumbling with Fiction, so I have to ask, in your writing career have you ever had a big “Oops!” moment?
 
I once wrote an author I admired, raving about her latest book.  Which wasn’t out yet.  She was lovely about it and told me it wasn’t out yet, not even in ARC form and that I could buy it when it came out.  I realized in a major Dolt Moment that I had written the wrong title when I was emailing her.  I’d read one of her other books (and loved it), but written the title of the one that hadn’t been released yet.
 
Of course, I couldn’t write back and say, *embarrassed giggle* “The book I meant I read was . . . ” without it sounding totally lame.
 
That was only one of my horrible experiences with email.  It is an amazing medium and yet, potentially very dangerous.

 
Ugh. That is embarrassing. I think I’ve learned a lot about being careful when emailing from the 2009 Debs.

You’re now at the beginning of your writing career. Can you believe it? Where would you like that sure-to-be illustrious career to take you?

 
Ah, to dream!  First and foremost, I’d like to be able to write full time.  But that’s what all writers want, so something more specific might look like this: after the movie/tv series rights sell for my first book in a three-book deal (book two, three, and four after SHINE), I’m catapulted to super-author-dom and have no problem getting consecutive book deals.  I live half the time in a modest Mexican villa by the sea and the other half the time in either New York or Toronto.
 
My kids are happy and healthy, and Spouse and I nurture our inner selves while contributing to social issues we’re passionate about.  We spend our days volunteering, creating, and doing something we love that brings in steady income (writing for me, and maybe chef’ing for spouse :]).  But the necessities are all covered.
 
My books all stay in print so that the grandchildren of my grandchildren can enjoy them and a foundation is set up to help women and girls in the arts in some way.  How’s that?  :D .
 
I like where your heads at. Now that you are a soon-to-be-published author, seeing the view from the other side, what has been your favorite moment in the publishing process so far? What part of the process has most surprised you?

 
What has most surprised me?  Everything!  But specifically, I was amazed that my editor was able to get inside my head and grasp my vision for my story.  She totally and completely understood where I was going and I truly believe she loved it as much as I.
 
Favorite moment:  Getting an email of support and encouragement from another author of Color telling me to stay strong and true to my vision in all steps of this process.  That was incredibly affirming on so many levels, especially as there are so few authors of Color being published.  The numbers speak for themselves — even in the Debs, who are awesome, I am one of two authors of Color.  Used to be three, but one got bumped to the Tenners :) .  Out of forty-something authors, we have three guys, a healthy sprinkling of romance and fantasy and chick lit . . . and me and Cynthea.  That’s obviously not the fault of the Debs :D .  I struggled with the same issues while I was doing my MFA in Creative Writing.  It’s just an industry thing and, obviously, not even specific to the publishing industry.  Since that first email, I’ve been amazed at the support from other authors (of all colors ;]) who are aware of the disparities and either want to read diverse works by/for/about under-represented and marginalized voices, or want to support them.  And even if the industry, itself, doesn’t change any time soon, that has been wonderfully uplifting.
 
Tell us a little about receiving your first editorial letter. What was yours like? How did you feel when you received it?

Mine was not as bad as I feared, thank goodness.  With all the prepping my agent was doing, I was expecting something in the nine to eleven page range, single spaced, with entire chapters slashed out and request for new characters :D .
 
It turned out to be about two pages and many of the queries made complete sense.  I added things, got rid of some excess wordiness and worked with my editor to polish it to as much of a shine as SHINE would get *grin*.  Okay, cheesy humor aside, my initial reaction was to put it away and not look at it for a couple of days.  That was probably the best idea, given that I might, maybe, have the teensiest tendency to get a little bit defensive when someone criticizes my babies.  All of them — human ones and literary ones.
 
But once I overcame the knee-jerk reaction of “What do they know, anyway?” I really enjoyed the process.  It was amazing to see that I knew the answers to my editor’s questions, but hadn’t put them on the page where they needed to be.  And that answering those questions took me to greater depths in the plot, pacing, and character building of my novel.  It was exhilerating to be working on the novel with someone who was as enthusiastic as I was about it.
 
Thanks for letting us into that process. Many of us are incredibly curious about the dreaded editorial letter. Finally, if you could have written one book previously published by another author, which book would it be?

What an amazing question.  Again, I have three: WILD SEED, but Octavia Butler; THE FREE RENUNCIATES OF DARKOVER(okay, that’s a trilogy, so technically three books, but who’s counting?) by Marion Zimmer Bradley; and TUCK EVERLASTING, by Natalie Babbitt.
 

Tuck Everlasting! Hadn’t thought about that one in forever. Thanks so much for joining us and HUGE congrats on the success you’ve had so far. We’ll be following your journey, so best of luck!

Everything I Know In Life, I Learned From Blogging

…Not from Judy Blume.

 

Ok, seriously, wouldn’t that be a sad story? Don’t worry. Before you start thinking I am in serious need of a Mary Poppins outing, there are a few things I learned outside of blogging. Like the fact Pennsylvania is not in New England. Oh, and that Ashlee Simpson is very, very preggers. Not to mention The Office is the best show ever. (Oooh, maybe everything I Know in Life, I Learned from Dwight Schrute.)

Anyway, now that we understand that I…*gasp*…exaggerated…We can move on.

Everything I Know In Life, I Learned From Blogging.

 

1. Write every day. Sure Stephen King told me, but, hey, I like to learn by doing. And blogging every day, forces me to write every day. Has it improved my writing? By light years.

2. Make friends. Moms always say to play with the other kids in the sandbox. Having your blog is like putting a couch in your living room to entertain friends. It’s never fun to hang out at a house that has no seating. Until I started my blog, I knew no one online. So start a blog. Meet people. Maybe even serve some chardonnay.

3. Sell your product, Sell yourself. Lots of good things have come into my life via blogging. I’ve been contacted by book packagers. I’ve had agents check it out and say the blog was a positive factor in deciding to offer representation. I’ve had other agents email just to say good luck. I’ve gotten free copies of books that haven’t come out yet to review. I’ve had an editor read my Scout page and contact my agent to say he’d like to see the project. Good things. From blog.

4. Reflect on your craft. Whenever I have an argument with Nate (*hope he’s not reading today!*), I tell him to write it down. Because writing is thinking. Writing down your reasoning helps you understand whether what you are doing is working. Is it rational? Is it effective? I don’t know. Write it down.

5. Stay up-to-date. Y’all hold me accountable. I keep up with what’s happening in the publishing industry because if I don’t, I can’t churn out the most relevant information for you on my blog. But it’s beneficial for me, too. Understanding the direction in which the market is moving, helps me to hone the direction of my writing. End of story.

 

So there ya go. All I know in life in five bullet points. Who’d have thought?

 

Status: Still banging out that synopsis, then going back to make it pretty. Those Scout sequel ideas are sifting around in my brain, but I’m waiting for that idea that I know is right.

Topical Tuesday: A Writer’s Workspace

I think the fascination with a writer’s workspace must have started with Stephen King’s On Writing. Do you write with the door open or closed? In front of a window? What type of desk? A huge chunk of that book has to do with the writing room.

I can certainly see the value of training yourself to click over to writing mode the second your butt hits the cushion of a certain chair or you step foot into a room whose walls are lined with shelves sagging under the weight of leather-bound books. As for me? I prefer to be somewhere in my own home with my own stuff. It’s comforting.

However, I’m a huge disbeliever in linking your creative process to a single place or environment. Life changes and, more than that, it gets in the way. If you can only write when you have a large chunk of uninterrupted time then there will be many days when no writing gets done at all. If you need silence to work what happens if you want to get a puppy or have a baby? The show still has to go on.

On the subject of silence v. noise while writing, different authors have different routines. Stephenie Meyer is attached to playlists she creates for each book. Others say that the first draft deserves an author’s undivided attention. No music. No email. No phone calls or television. You only get to tell your story for the first time once.

I agree with that sentiment, but sometimes having no noise puts a lot of pressure on me to create on the spot. I write better and faster when operating with no distractions, but I am able to write longer if sitting in front of the television. That way if I get stuck, I can relax for a few minutes, watch TV and not get stressed out by my writer’s block.

Whatever your routine be open to adapting. Don’t ever link the writing process to something concrete. After all, the only thing you need to write well is you.

 

Do you agree? What is your writing routine?

 

For more Topical Tuesdays try these: Brand Yourself, Ideas and Execution in Book Packaging, and To Self-publish or Not To Self-Publish?

**And always remember, if you would like your blog to participate in Topical Tuesdays, Jay Solomon and I would love to include a link to your post and comment on your take on that Tuesday’s issue.

 

Status: Working on comic book stuff: synopsis and query. Preparing lists of where I want to submit, etc. It will be a very limited list to start out with.

Topical Tuesday: Brand Yourself

Before you reach for the hot iron and sear your forehead, I’m talking about making your name into a brand.

Stephen King, James Patterson, Nora Roberts, Janet Evanovich, Tom Clancy–These are authors whose names are now recognizable brands. Anything they put their name on sells. While we might not become mega-brands over night, we can’t get started down the path with a few simple steps.

Yesterday, Allie Boniface offered some great tips on promotion. Today, I’ll add to her great suggestions while still keeping with the theme of book/author promotion on a budget.

1. Join online writers’ groups. Absolute Write is the forum in which I am most involved. But, professional organization such as RWA and SCBWI usually have boards to which you can belong. Verla Kay Blue Boards are great if you are a children’s writer. While most of the time you don’t meet these people face-to-face, you begin to feel like you “know” them. I have felt compelled to buy several books from Blue Board writers. Moreover, other writers on the site tend to want to promote their own. A lot of support was thrown behind Melissa Marr’s Wicked Lovely and Ink Exchange as well as all of the Jennifer Lynn Barnes book by their fellow Blue Boarders.

2. Email Signatures. Put a standard signature in your emails about your book and a link to where people can find more information. This way, you don’t give yourself the option to pick and choose who you will tell about your book. You’re emailing your college professor? Ok, well, he knows about it now. Don’t be embarrassed. People are curious and will probably take the time to check that link.

3. Blog. I have been persuaded to buy books because of author blogs. The only reason I picked up Lisa Shearin’s books was because I read her blog daily. I feel invested in what she has to say. Don’t discount the importance of a blog just because it seems like everyone is doing it.

4. Don’t be afraid to ask for help. Ask you friends to provide a link to your site or a blurb about your book on G-chat or on their Facebook status. Word-of-mouth is a huge component of book and author success. Widen your radius.

5. Your book can have a Facebook Page. No, faces are not required to belong to facebook. Make your book a member and then add as many people as possible as your friends. Also, on your own facebook account, how many people on facebook are friends that you actually chat with daily? Yeah, probably a minority, right? Start a group and invite everyone to belong to it. When the random person you went to middle school sees the group they are probably going to be like, Wow so-and-so wrote a book! And then you pray that random middle school person is curious enough to run out and buy it.

6. Contact your local newspaper. Most newspapers don’t have a problem with running a ”Local girl pens novel” story. Send them a media package.

7. Run a contest for Amazon reviews. Lisa Shearin did this recently. Every person who posted an Amazon review was entered to win prizes on her blog. Amazon reviews matter when it comes to Amazon rankings. Remember that.

8. The Internet is your friend. Book trailers on YouTube and Google Video. Twitter. MySpace. LiveJournal. Do them all.

9. Ask for interviews. Most of the time, people are not going to come beating down your door asking for an interview. It’s ok to ask someone whose blog you like to host you for a day. What is the worst that could happen?

10. Have a cyber launch party. Avoid the costs of a real live launch party and have a cyber one. You can even wear your PJs. Places like Enduring Romance host online parties for book releases and, if you have doubts about their effectiveness, they bring in TONS of comments from readers!

11. Cheap promotional giveaways. Want to send some gear to conferences or be able to provide goodies for prizes. Consider having your book title/logo put on a few goodies. There are a ton of places you can have this done. A Cheap Giveaways you can get pens with a logo on them for $.31 a pop. At the minimum of purchase of 428 pens, that will cost you $132. Not too bad.

12. Write Great Books. That’s the most important. And Guess what? The cheapest! Though the most time consuming. Look at The Shack, a book that is currently topping the bestseller list. $300 used to promote it. But, it’s a good book and, through word-of-mouth, it spread like wildfire.

 

 For last week’s Topical Tuesday on Ideas and Execution in Book Packaging click here.

Status: Today I’m cracking down. My goal is to finish between 12-15 pages of script today. I’m working toward that July 18th deadline of getting our proposal together to submit. The query letter is almost done. I’m waiting on some artwork. I’ve been chipping away at the script. And, I just downloaded a trial version of Comic Book Creator 2 because I think I am going to do the lettering for at least the first 15 pages in order to submit. I’m debating whether or not to purchase the software, but at $50 I think it is probably worth it.

Guest Blog: Arachne Jericho

As it turns out, Arachne Jericho is more than just a really awesome name. She’s a writer of serial fiction and I’m excited for her to explain a medium about which I know nothing!

Sounds fun, though, and maybe I’ll try it soon. Who knows?

Thanks for coming, Arachne!


There are times when I regret, really really regret, starting Crime and Violins. It’s a serial.

In many ways a serial runs counter to the best interests of the writer: quality writing from the very start, need for an extra-strong grip on the story from the beginning, more danger of losing the reader when the plot starts to flag.

In other words, serials are wicked hard.

On the other hand, learning to ride its dynamic nature, and ride it well, is a challenge that teaches you to make everything count. And that’s everything from scenes to characters, from words to time spent in front of the keyboard. If there’s a preventative for debilitating writer’s block, it’s a serial on a schedule.

And in the end, the lessons of the serial form carry over well to books. Because it’s nice to get books a) confidently written, b) done, and c) imbued with a story that never lets readers go.

Here are four of the most important lessons I’ve learned so far.

The Four Lessons of Serials

Lesson 1: Every character matters.

I’m going to talk about plot, actually. And the first thing about plot is that every character matters. Odd, but bear with me.

Serials thrive on a story that constantly moves forwards, which means that plot can never stagnate and thus must be of decent quality. However, there are two important points to keep in mind about serials:

  • Writers aren’t perfect. Fully pre-constructed plots run into snags, and in a serial you must either never run into a snag (hah!) or figure out how to incorporate the snag naturally.
  • Readers aren’t perfect. They may forget the finer details of what was going on, but they rarely forget strong characters or the events surrounding them.

Most of the events in a story are ultimately the result of character interactions. If you have characters who are “alive”—i.e., you are sensitive to how they react to situations and other characters—then when the plot snags or even stops completely, you can generate plot on the fly by simply having characters interact with each other and make decisions—decisions which will move your plot again, albeit not necessarily in the direction you originally planned.

Now a well-rounded plot contains not only the results of events that your main characters initiate or participate in, but also the results of events that your other characters create and meddle with. This means that generating a well-rounded plot on the fly means thinking of every character—secondary, antagonist, even some walk-ons—as if they were the main character, working out what they want and what they would do.

People remember characters best, but no serial can survive without an interesting plot.

Lesson 2: Grow your plots.

Starting writers tend to think in straight lines. Plots are straightforward, single-threaded without a subplot, and there are few twists (or perhaps one twist, all the way at the end, where a twist belongs the least). And as tempting as such plots are, they suffer from two main deficits:

  • They run out too quickly. Well, duh; there’s nothing impeding the flow, no turns or forks or anything.
  • They’re less interesting. Yes, there’s the lack of turns and forks; but there’s also a lack of interaction with other plot threads (as there are none), and few plot lines are exciting all the time.

Serials require plots that branch and grow, throwing up obstacles and wrong turns and tempting lines of investigation like nobody’s business. They require subplots that can pick up the slack when the real plot is resting, because slack is a great way to lose reader interest—and for a serial, that’s usually a lost of the reader entirely.

At the same time, keeping a handle on the main plot is important. It’s one thing to create a complicated weave of plots and subplots; it’s quite another to try to present a tangle to your reader. You need to keep moving forwards over your story’s tributaries, not get lost down them.

Plots moving forwards: that’s pretty much the definition of a serial right there. And of a compelling story.

Lesson 3: Start every installment strongly.

Remember the hook? That’s the thing that pulls people into the beginning of your novel. Essential.

You need to do it for every installment in a serial. Every time you step onto the stage, you must intrigue and beguile your audience, remind them that it won’t be a waste of their time to read this new segment, because it will have been some time since last they saw you.

The principle for a great start to a book is the same for a great start to an installment: begin at the point where things are different. When I end one installment with a police inspector dialing up the bomb squad to bring some evidence upstairs, the next installment does not start with the bomb squad walking up the stairs. Instead, it starts with the bomb casing pieces on the table, being examined by the main character—with the first thing that changes the status quo from the last installment.

You can think of this as scissoring out the boring parts. In fact, the fun thing about serials is that installments are great excuses to break what would be a long scene in a book into two, and skip boring stuff with more panache than mysterious skips of time without a scene break.

Now, imagine if you did this for every scene in your book. Suddenly things are not only in motion but stay in motion—and that’s the key to enthrallment.

Lesson 4: Juggle your story questions skillfully.

Pacing is as important a part of storytelling in serials as it is for non-serials. The problem with serials is that scenes that require a slower pacing, like two friends discussing something quietly in the rain, can easily lead to an installment that peters out at the end, leaving the reader with no strong motivation to come back. And since the next installment isn’t going to be here for a week, this is a bad place to leave your story. Even scenes that raise blood pressures and heart rates can peter out an installment if you’re not careful.

The key to the dilemma is to keep an eye on your story questions. From your very first installment, there was at least one important story question that people wanted to know the answer to. It’s not necessarily the question of the story, but whatever it is, it’s at least a little intriguing and not so obviously answered. Story questions vary in size and importance, but what they don’t vary in is presenting motivation to the reader to keep going.

So in every installment, bring a story question to the forefront—it’s not enough to let it idle at the back, remember, it’s weeks between your first installment and your current one—and then either let it ride out unanswered past the end, or let it develop in importance or raise another, more important question. Whether your installment’s paced fast, slow, or in between, that alone will pique your readers’ interest.

If you’re handier at juggling your story questions, you could bring more than one up in a serial, answer some, let the others fall back at different points, while still leaving at least one question to ride out at the end.

Do this throughout your book, too. That’s how you grab the reader and never let them go.

More on Serials

Maybe it’s unfortunate, but a serial fits into how I work: small installments at a time, feeling my way forwards a few thousand words at a time. I’m not great at following outlines, I’ve found, although I still use them to structure my thoughts, and I still use notes. But when it comes to writing, I can only see ahead a little at a time—well, that and the great big ending. I do see that one quite clearly.

(It tickles me because this seems to be the way Neil Gaiman works. Not that I’m anywhere near as good as he is.)

If you want to find out more about serials, the best way is to read some good serials—especially if they’re finished, so you can see how a serial works from beginning to end. I suggest the following collected serials:

  • The Electric Church, by Jeff Somers. One of the most entertaining science fiction thrillers out there, and one of the most recent and best example of the serial form. Even my non-SF fan friends like it.
    Jeff also talks about serials at Ficlet’s The Big Idea: Jeff Somers.
  • David Copperfield, by Charles Dickens. Basically, Dickens is the Mozart of the serial form. Any serial by him is a learning experience.
  • The Green Mile, by Stephen King. One of the first “modern” experiments to revive the serial form, this was an astounding success. All installments now are available in normal bookstores everywhere, and Amazon.com, but the Subterranean Press has a dolled-up special edition available.

Arachne Jericho’s main blog is Spontaneous Derivation, where she discusses the unholy marriage of writing and blogging. Her fiction and her Sherlock Holmes screeds are kept elsewhere. In her not very copious spare time, she continues writing Crime and Violins: The Well-Tempered Clavier.