Saturday Six

1. My regular posting schedule was interrupted by moving to Dallas for the summer. I miss Austin already, but am excited to spend some time with my parents. I haven’t lived with my parents for an extended amount of time for 5 years now! That’s crazy to me. Also, I’m really pumped about my job working for the Dallas Cowboys!

2. Which leads me to my next point. Anyone in SCBWI Dallas? Do y’all have weekly meetings? I’d really like to get involved while I’m here and have time over the summer. I’ve never participated in a live critique group, but as y’all know I enjoy connecting with other authors and I loved going to the SCBWI Dallas Agent/Editor Day earlier this year. 

3. For those who have asked, I am actually working right now on the story that got me an agent, but in an entirely different form. It’s a traditional novel now and I am in the middle of an extensive rewrite adding a new mythological basis for my world. As you can imagine, changing the underpinnings of an entire universe has quite a few ripple effects into the rest of the story. Character names have had to change–how weird is that? I’ve been working on a story for a year now and all the sudden the characters don’t have the same names! Main character got to keep her name, though, so that’s good. The setting has changed. In fact, the book has moved across the country–from East coast to West coast. This has required another round of research, which has been fun but time consuming. A new beginning was a must! The mythology even added new themes that have surfaced as I’ve written and that are now my job to tease out. Finally, the tone of the book has gotten darker–I’m happy about this, to be honest. It’s crazy to me because there are actually changes stemming from this one aspect that influence and effect every single scene in the book. However, I was okay with this change because I got to keep the entire structure of the plot. It’s the same story. The same characters at heart. And more importantly, I feel really good about the changes I’ve made. 

4. So, after my long explanation of what I’m working on, I plan on shooting an email to my agent sometime in the next week or two. He knows what I’m doing. But I’d like to show him the progress and then hash out a plan for the rest.

5.  Reviews to expect in the near future: 20 Boy Summer by Sarah Ockler, Illegal by Paul Levine, Fragile Eternity by Melissa Marr, Red Wolf Conspiracy by Robert Redick, and–an oldie but goodie–Kitty and the Midnight Hour by Carrie Vaughn.

6. I’ll leave you with a post I really enjoy from the Deadline Dames. It’s called “My Hack Manifesto“–not new but a worthwhile read.

Recommend Responsibly Part 2: A Book for Everyone

 

As promised, we’re discussing what books to recommend and to whom. Reading isn’t one size fits all and, as writers (or readers) who want to support the book industry, we know we need to recommend responsibly. We do that by encouraging so-called  ”non-readers” to read and thus, hopefully, converting them into at least occasional book-buyers. But, we can’t do this by impressing non-readers with our love for dense, flowerly prose or by insisting that they’ll love whatever genre we write in. Or by peddling every book we love. We recommend books like we give presents–we think of the recipient.

Rule Number Two: We ditch the snobbery. A lot of writers aren’t fond of celebrity authors. Who can blame them? Here we are working our bums off, fighting through rejection, and in walks Lauren Conrad with a three book deal. But BIG books, like these celebrity books sell. People like them. We *want* publishers to make money so they can take risks on other manuscripts. So, if you think your Aunt Matilda would like to read Maureen McCormick’s new book, then get it for her, or recommend it! No worries.

Ok, so I’ll need y’alls help making this list, but I’m going to try to start thinking of types of people and what types of books they like. When it’s done I’ll add it to the books I recommend page.

 

Middle School girl: Beacon Street Girls, Savvy by Ingrid Law, The Floating Circus by Tracie Vaughn Zimmer, Gallagher Girls series by Ally Carter

Middle School boy: Zen and the Art of Faking It by Jordan Sonnenblick, The Wishlist by Eoin Colfer, The Giggler Treatment by Roddy Doyle, Antsy Does Time by Neal Shusterman, The Hobbit by J.R.R. Tolkein

High School girl: Girl, Hero by Carrie Jones, The City in The Lake by Rachel Neumeier, Shift by Jen Bradbury, Wicked Lovely by Melissa Marr, The Disreputable History of Frankie Landau-Banks by E. Lockhart

(If looking for non-edgy-Hattie Big Sky by Kirby Larson)

High School boy: Thirteen Reasons Why by Jay Asher, Ink Exchange by Melissa Marr, Lord of the Rings by J.R.R. Tolkein

College girl: The Undomestic Goddess by Sophie Kinsella, Story of a Girl by Sara Zarr, Wicked Lovely by Melissa Marr, Bergdorf Blondes by Plum Sykes, Magic Lost, Trouble Found by Lisa Shearin, Kitty and the Midnight Hour by Carrie Vaughn, Are You There Vodka? It’s Me, Chelsea by Chelsea Handler

College boy: Foundation by Isaac Asimov, Lolita by Nabokov, John Adams by David McCullough, Blink by Malcolm Gladwell, Freakonomics by Stephen Dubner

30s-40s-50s women: The Mermaid Chair by Sue Monk Kidd, Water for Elephants by Sara Gruen, A Lotus Grows in the Mud by Goldie Hawn, Stephanie Plum series by Janet Evanovich, The Sinner by Tess Gerritsen

30s-40s-50s men: American Sphinx: The Character of Thomas Jefferson by Joseph J. Ellis, Marley and Me by John Grogan, Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin

 

For the Southern fic reader: Secret Life of Bees by Sue Monk Kidd

For the no-nonsense, none of that fantasy junk reader: Sophie’s Choice by William Styron

For the historical fiction lover: The News from Paraguay by Lily Tuck

For the hopeless romantic: The Notebook by Nicholas Sparks

For the woman growing up: Eat Love Pray by Elizabeth Gilbert

For the why-would-I-read-fiction-unless-I’m-learning-something reader: Pillars of the Earth by Ken Follett

For the vampire lovers (adult): Interview with a Vampire by Anne Rice

For the vampire lovers (young adult): House of Night by P.C. and Kristin Cast

For the celebrity gossip lover: Confessions of An Heiress

For the lawyer: One L by Scott Turow

For the guy searching for the meaning of life: The Zahir by Paulo Coelho

For the I-Miss-Harry-Potter reader: His Dark Materials by Philip Pullman

 

Ok, wow, that was exhausting! I’m sure I’ll think of more later. But help me out!

Farewell to Minx

If you havesn’t heard the sad news yet, the DC Comics Minx line went under Thursday. Minx was a line of comics aimed at teen girls. I was personally a fan of several of the Minx graphic novels: Plain Janes, Confessions of a Blabbermouth, Kimmie66. I was shocked–though maybe I shouldn’t have been–to hear the line had been cancelled.

Several possible reasons have been advanced as to why the Minx line failed:

Incorrect and ineffective shelving in bookstores–should it have been in the YA section instead of with the graphic novels?

DC’s plan to market only to women

The quality of the books in general

The fact that most of the creators were men

Some of the marketing is just getting off the ground

Needed edgier material that appealed more to teens than middle grade

 

Anyway, lots of reasons why this may have happened. Some I agree with, some I don’t. But why do we care?

 

If y’all have ever read my blog, you can probably tell that I am, well, pretty darn mainstream. Give me Banana Republic, Miley Cyrus, and Jim and Pam forever–I’ll be a happy lady. And yet, I like comics. I like comics, but I wouldn’t say I’m into every superhero, male fantasy graphic novel ever created.

So, believe me when I say, I wanted the Minx line to succeed. I want YA graphic novels that will appeal to teen girls. And I sincerely believe there is a place for them in the market. I mean, how does anyone explain the manga phenomenon, which has been a ginormous success with teen girls, and yet, what? There’s just no place for teen graphic novels. Bone has been welcomed with open arms by middle graders. Somewhere there is a disconnect. Two years. That’s how long Minx was given. Was that enough? Was there another reason?

 

What do y’all think?

For those of you just getting started in graphic novels, or those already interested, I have a couple links to help us try to figure this whole thing out:

Publishers Weekly The Beat

Occasional Superheroine’s version of events–Warning: language

Goodbye To Comics–HUGE Warning: If you are under 18, please don’t read. I think this is an important perspective, especially if you are a woman in comics. It’s an look into the boys’ club of comics. However it is NOT for the faint of heart. I had a tough time reading it, so if easily offended, you might wanna skip. Ok, consider yourself warned. (And if you choose to read, scroll to bottom and start from beginning.)

 

Would love to hear y’alls insights.

 

Status: On a lighter note, Kitty and the Midnight Hourcame in the mail today!! I’ve started reading it (it’s the first in the Kitty Norville series) and so far, it’s a fun read. I think it will make a great comparison for SCOUT. I’m still working away at the sequel synopsis–oh, and dying because of law school work, tutoring, writing a book, reading the books I’m scheduled to review and trying to declare my intent ot practice–no big.